Sting: My Songs Tour

Dallas, TX, US
Echo Lounge and Music Hall

Sting makes opening of Mark Cuban’s Design District music venue official...


By Sting’s own estimate, his concert Tuesday night was his 26th performance in Dallas since 1979, when the Police made their local debut at the long-gone Palladium.


That’s a lot of larynx-busting versions of “Roxanne.” But this show had a singular feel, since it marked the grand opening of the new Echo Lounge and Music Hall, a 1,000-capacity venue in the Design District that’s a fraction of the size of places where Sting usually plays.


Fronting a seven-piece band, the former Police chief looked decades younger than his 70 years, and his voice sounded vigorous despite a slight roughness around the edges.


As usual, Sting leaned heavily on the classics, with Police songs making up over half of the show. But he’s still writing strong new material, too.


“We’re going to play the hits tonight, but maybe this will be a hit,” he said, before launching into “Rushing Water,” one of two new tracks he played from The Bridge, his 15th and most recent solo album. With its sharp melody and made-for-COVID lyrics about angst and insomnia, “Rushing Water” fit perfectly on the set-list next to “King of Pain.”


Sting recently finished up a monthlong residency at Caesars Palace in Las Vegas, where he’ll return for more shows in June. Yet there was nothing Vegas-y about the way he sculpted some of the oldies into unfamiliar new shapes.


The Echo Lounge and Music Hall, backed by Mark Cuban, holds about 1,000 people. Sting is the biggest act it has drawn in about a dozen shows, and his concert marked the venue's official grand opening.


The Echo Lounge and Music Hall, backed by Mark Cuban, holds about 1,000 people. Sting is the biggest act it has drawn in about a dozen shows, and his concert marked the venue's official grand opening.


“If You Love Somebody Set Them Free” became pliable and jazzy. The melancholy “Englishman in New York” briefly took on a joyous hip-hop beat, while “Roxanne” twisted and whirled into Duke Ellington’s “It Don’t Mean A Thing (If It Ain’t Got That Swing).”


Sting spent most of the show playing his battle-scarred 1957 Fender Precision bass, surrounded by the father-and-son guitar team of Dominic and Rufus Miller and drummer Josh Freese, a veteran of Nine Inch Nails and Guns N’ Roses. But the unsung star of the band was a newer member, harmonica ace Shane Sager, who breathed subtle new flavors into a half dozen songs.


For the encores, the band segued from “Roxanne” into a raucous encore of the Police song “Next To You,” featuring Sting’s 45-year-old son Joe Sumner, who also opened the show. They came back for one last tune, the anti-war ballad “Fragile,” but the delicate moment was ruined as a bartender kept screaming “Last Call!” as Sting tried to sing.


That jarring interruption pointed to the main problem of the Echo Lounge and Music Hall: It’s not particularly music-friendly.


Granted, the acoustics are OK, except for reverberation at the back of the main floor. Most of the sightlines aren’t bad, either, and the 50 or so seats in the center balcony are picture-perfect, albeit pricey, topping $1,000 a seat for Sting.


The only obstructed views are in the side balcony upper platforms, where some fans wound up looking at a video screen instead of the stage.


The biggest drawback is that it’s set up like a nightclub, not a concert venue. With five bars scattered around the hall, patrons loudly ordered drinks, and some chatted through the songs, killing the mood anytime Sting played softer material.


The upscale nightclub vibe also came with upscale prices. The least expensive beer was $13 for a big can of Bud Lite (“Sorry, we don’t carry smaller sizes,” a bartender told me). Water, meanwhile, was $5 (“Sorry, they won’t let us give out water for free”).


Echo Lounge and Music Hall is co-run by Mark Cuban and Live Nation, which also operates House of Blues, a similar-size venue less than a mile away that’s more conducive to listening to music. The Kessler Theater and the Granada Theater are two other smallish spaces in Dallas that are far better designed for music lovers.


Echo Lounge and Music Hall is fine for what it is - the first major nightspot in the growing Design District. But despite having “music” in its name, it’s simply not set up to be an ideal music venue.


(c) Dallas Morning News by Thor Christensen


posted by elizabeth_queen
I would love if I can to be there
I'm absolutely sure it will be wonderful. I would so much like to go, but, living in Brazil and without a US visa, I'm losing my hopes of one day seeing the STING Beloved STING, kisses Much love now and forever God bless you always and protect you. Elizabeth from São Paulo city, Brazil
posted by Grandkids_Poppy
Are there any Pre-Sale tickets for this Dallas event?
posted by ApolloCreede
Is there a presale opportunity for this
How can I find the pre-sale link? Thanks!
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